"I am an idealistic, naive, passionate, truth-seeking, spiritually motivated artist, unschooled in the science of law and finance." --Wesley Snipes

Sunday, July 25, 2004

Coming Soon to This Blog: My Lunch with Janice



The met in an MFA program. They both left the MFA program without degrees. They met again for the first time in three years one hot July afternoon to discuss: geese, goose fat, grammar, heirloom tomatoes, poetry, book contests, motherhood, crappy jobs, Arto Lindsay, their mothers' bad cooking, and much, much more. They strolled through downtown Eugene! They ate dessert! They bought books by Gabriel Gudding, Clark Coolidge, and Susan Howe! More!

Saturday Mailbox

Yesterday, I braved the 100-degree heat to bicycle home and pick up my mail. I've been staying across town in Casa Schiff-Twemlow, equipped with air conditioner and angry cat. After the heat broke in early evening I biked to my mailbox and discovered two pieces of poetry-related mail that more than made up for the slightly sweaty bike ride.

Exhibit A: I'm no Matt Shindell, but....
A nifty postcard from Brenda. It features a golden guy (I'm guessing it's supposed to be Poseidon) prying open the jaws of a nasty-looking sea creature. The sea creature is also golden. A stream of water is shooting out its mouth. It is a functional sculpture. It is a fountain.

Exhibit B: A rejection from Gulf Coast. It's a form rejection but with a handwritten note:

"'Syllabus Rulebook' elicited a good deal of discussion, and I love the energy and voice in much of your work. We'd like to see more work from you in the future. Best, Melanie Jordan."

Go Energy! Go Voice! Go Melanie!



Friday, July 23, 2004

Heat Wave

It's 99 fahrenheit out there today. And climbing.

In other news, my dissertation advisor handed back my introduction today with a note: "This is a good start but it is not cohesive enough yet." And so forth. Type type type. Produce text. Produce text. Revise text. Produce text. Think. Type type type.

Tuesday, July 20, 2004

For Carnivores and KoL Players: MEAT


Monday, July 19, 2004

Just So Y'all Know I'm Still Here

I've been enjoying Carl Annarummo's blog lately. A new immigrant to Portland, by way of Boston, Carl is perhaps better equipped to make astute observations than those of us who are P-Town regulars. That said, in today's post, he mentions being in a convenience store and watching the guy in front of him buy whiskey. This is Oregon. You can't buy whiskey in convenience stores. You but it in liquor stores and liquor stores only. Liquor stores can't have fancy names either. They're all called "Liquor Store." And prices are set by the Oregon Liquor Control Commission. Everything costs the same everywhere. All the time. Maybe Carl was in Vancouver, WA, across the river.

*

I don't really know where to get a good burrito in Portland. Some folks swear by Ole Ole, but the only thing they have going for them is size. $3.50 will buy you a burrito that fills an entire dinner plate. It's ridiculous.

*

Reading Dante's Vita Nuova, which I borrowed from Twemlow. I'm cat-sitting. The Schiff-Twemlow feline HATES me. The Dante and the recently-consumed Jalal Toufic has me thinking about love, which is never a good idea. Writing domestic poems lately. I never feel very domestic unless I'm in someone else's home. Poetics of space and all that jazz.




Saturday, July 17, 2004

Wednesday, July 14, 2004

Josh Rouse and Avant-Garde Plays

Daniel Nester, god bless him, gives mad props to Josh Rouse's stellar album, 1972, named after the year I was born.

He also wrote a short play.

*

For those who don't read comment boxes, here's my latest "Clash of the Titans" mini-play:



(CALIBOS standing in an alley behind a pornography store, holding a leather mask aloft)

Calibos: I can't believe I used to bang Andromeda. She had a great can. (Shakes head.)

Hobo: Hey, brother, can I ask you a question?

(CALIBOS pulls a studded leather whip from his belt and repeatedly lashes the HOBO.)

Hobo: Whimper. Whimper. Hic.

Calibos: Judi Bowker's callipygian beauty knows no bounds! Ah Hera, return her to my satyr-like clutches!

Bubo: Whirr…wheet…toot.

(Door opens into alley, cheesy porn music can be heard from inside building. PORN STORE CLERK emerges with a telephone receiver in his hand.)

Clerk: Hey, Cal, your mom's on the phone.

(CALIBOS takes phone and walks behind a dumpster.)

Calibos: (Nodding head.) Mm-hm. Yeah. Yup. Yeah. Mm-hm. Not that I know of. No. I mean, yeah.

(Disheveled, neurotic-looking man in three-piece suit and dirty loafers appears. It is ROBERT LOWELL.)

Bubo: Whirr…wheet…toot.

Robert Lowell: (Extending hand to CALIBOS.) Hi Cal, I'm Cal.

Calibos: Mom, I gotta go. There's a cake in the oven.

Exeunt.

Tuesday, July 13, 2004

Go here: Grateful Palate

and order treats like the following:

North Country Cob Smoked Bacon

Artisan: North Country Smokehouse

Tasting Notes: Cob smoked bacon has been a customer favorite over the years so I was delighted to discover this new producer. Classic, clean, pure flavors. Complex, nutty, hammy. Style and grace. Meaty and sweet. Perfect wrapped around scallops, chicken livers or prunes. Bacon of choice for the US Olympic team, and also the bacon the Pope ate aboard his private plane when he last visited the United States. Not just an artisan bacon, North country is the aristocrat of bacons.

State of Origin: New Hampshire
Size: 16 oz.

*To ensure freshness, bacon must be shipped via 2-day delivery service.

Monday, July 12, 2004

Since I don't have a fiance

Women Kinfolk and Tony, Christmas 2003
(Grandma, Aunt Margaret, Me, Mom)



Please note that I am 7-10 pounds heavier in this photo than I am now. I am svelte, though I probably won't be once I start cooking from the Toklas.

Sunday, July 11, 2004

At the Entrance to Medusa's Lair

Perseus/Harry Hamlin:
Lo! My homeboys are engaged in battle
with a slightly vicious two-headed dog.
Meanwhile there's a snake on my sword. Aw fuck.

Two-headed dog:
Grr. Grr. Snap. Drool. Grr.

Snake:
Hiss. Hiss. Nice sword, asshole. Hiss. Hiss. Hiss.

Ray Harryhausen:
I hope the damned Kraken looks better than
the two-headed pooch. Hey, nice snake though!

Aside. Whatever happened to Judi Bowker?

Thursday, July 08, 2004

News

The Verse blog reviews The Canary!

LIT just took two poems!

My Sauceror in KoL is now 5th level, and kicking a lot of keister.

Wednesday, July 07, 2004

Gabriel Gudding is like Jonathan Swift. He is nothing like Bilbo Baggins, save the hair on his feet. The Yahoos shit on Gulliver’s head, you’ll recall.

*

When I was in my early twenties my two favorite writers were Raymond Carver and Vladimir Nabokov. I have written, in my short life, two “mature” short stories; one was a Carver rip-off, the other a Nabokovian exercise in style. The Carver rip-off won $1500 in a contest for undergraduate writers at my school. The Nabokov rip-off is partially published on the web somewhere. Soon after, I discovered that poetry was shorter, and therefore more satisfying to write. I plan on returning to fiction on my 50th birthday, assuming I live that long.

*

Kent is sending me the Alice B. Toklas cookbook. Many thanks in advance, Kent. I plan on cooking the famously fussy recipes contained therein and posting photographs and post-meal analyses on this very site. Stay tuned.

*

I was confused when I first encountered Carver’s stories. I mean—nothing happened! Now I see them as little lyric poems in prose. They each illuminate a tiny aspect of the human condition, pared down to its essential isness. Or maybe Gordon Lish did that part.

*

The epic (and all narrative) unfolds across spatial and temporal axes. Odysseus travels a long distance; many years pass. The lyric exists where the X and Y axes intersect. At a single point. Bugs trapped in amber, we are.

*

I spent all morning writing about the Black Arts movement, particularly the poetry and politics of Haki R. Madhubuti/Don L. Lee and Elisabeth Frost’s book, The Feminist Avant-Garde. My brain hurts just a little.

Tuesday, July 06, 2004

My Contribution

to THIS:


Bush is a meanie
He is not my president
Stupid caca-head

Poemlet in Progress

I rescued this as-yet-untitled poem-thing from Reen's comment box.
Suggestions welcome, especially from those with a high skill rating in Brady Bunch Lore.


Some days, or evenings
when the moon has tilted,
when my personal orbits
seem threatened & my
shit's all out of wack, I feel
like George Glass,
Jan Brady's bogus boyfriend
who never had a chance
to feel sad, who never
really existed, like say,
the bug-loving Harvey Klinger,
who did.

Friday, July 02, 2004

Happy 4th

Playlist: Almost Independence Day, Van Morrison; Fourth of July, X. Fourth of July, Pete Droge.

Weekend movies. Playing at the Bijou is, of course, Fahrenheit 9/11, and a late night showing of The Big Lebowski. Dude.

*

Tonight I will be attending my second-ever baseball game and my first minor league game. I plan on drinking overpriced beer and eating overpriced hot dogs.

*

Public Apology to April Putnam for bungling facts about asparagus and Van Morrison in this space. Next time, though, use the comment box, or the telephone. Not that there's anything wrong with using your husband, or anything, since I like to see him too, but I wouldn't mind hearing a word from you every so often, especially if I am bungling facts.

*

Current Reading:
Undying Love or Love Dies, Jalal Toufic
The Sense Record, Jennifer Moxley
Final Girl, Daphne Gottlieb (yay Soft Skull!)
North True South Bright, Dan Beachy-Quick
Norwegian Wood, Haruki Murakami

Most of these are loaners from Twemlow, who is a slightly better golfer than me. When he's not busy fighting sheep, he's eating them, and this too, is all right with me.

*

Does anybody know how to contact Harryette Mullen? She doesn't respond to her UCLA email.

*

The worst movie ever: A Murder of Crows. Oh, Cuba!

Monday, June 28, 2004

Acquired Since This Morning

The Provence Cookbook, Patricia Wells

A Taste of Turkish Cuisine, Nur Ilkin & Sheilah Kaufman

Cooking One On One, John Ash

Innocence, Tim Botta

*

I haven't read the cookbooks yet, but I'm already half-way through Botta's chapbook. It's marvelous. What would you get if Aaron Tieger, Aaron Belz, and Anthony Robinson mated and had a baby? You get Tim Botta. Of course, I am attracted to his writing because I see a lot of myself, a lot of lucky error here, but also the work of my two favorite Aaron poets. This is Futurama, not Simpsons. Without a hint of post-modern irony or hoo-ha, without foof, not afraid to feel, Botta's book is generous, playful, rigorous, accessible, but not simple. Buy one! Or two!

Franz Wright

Franz Wright. Criticism. Logan. Franz Wright. Martha's Vineyard. Young blowhard idiot. Get a life! Blog imbeciles. [expletive deleted].

Hoping that Franz Wright will write me a nasty email as he's done to Aimee N., Aaron T., and William Logan.

I haven't read Franz's book, so I can't criticize it. I shall not compare him to Billy Collins. He seems like a meanie, though.

I will say that you should check out the work of Boston poet Jess Mynes--his new poems in Carve 3 blew me away.

*

Recently acquired:

Carve 3, ed. Aaron Tieger. Thanks Aaron! (My Sauceror is almost 4th level!)

Macular Hole, Catherine Wagner

Eagerly awaiting:

Tim Botta's chapbook.

Friday, June 25, 2004

Mini-Flarf for Reb

No, your bridesmaids
Fine equestrian,

Drunken duende,
Northern.

Both linked.

Ron Livingston nude pics.
Dean Young Bashing

I've done my fair share, but today I ran across this poem that I rather like, and not only because it has my name in it.

+ + +

HE SAID TURN HERE

and then Tony showed us the lake
where he had thrown some of his sadness last summer
and it had dissolved like powder
so he thought maybe the lake could take
some of the radiant, aluminum kind
he had been making lately.
And it did.
It was a perfect lake,
none of the paint had chipped off,
no bolts showing, the arms that Dante
and Virgil would have to hack through
not even breaking the surface.
Mumbling Italian to itself,
it had climbed down two wooden stairs
back to the beach now that the rains were done.
How strange to be water so close to the ocean
yet the only other water you get to talk to
comes from the sky. Maybe this is why
it seems so willing to take on
Tony’s sadness which sometimes corrodes
his friends, which is really
many different sadnesses, smaller
and smaller, surrounded by more
and more space, each a world and
at its core an engine like a bee
inside a lily, like buzzing inside
the bee. It seems like nothing
could change its color although
we couldn’t tell what color it was,
it kept changing. In the summer,
Tony says he comes down early each day
and there’s no one around so the lake
barely says a thing when he dives in
and once when his kitchen was on fire in Maine
and he was asleep, the lake came and bit his hand,
trying to drag him to safety
and some nights in New Mexico,
he can hear it howling,
searching for him in the desert
so we’re glad Tony has this lake
and we promise to come back in August
and swim with him across,
maybe even race.

--Dean Young

Wednesday, June 23, 2004

New Poem-like Substance

Song for Alan De Niro


O found, Leonie Adams on the graveled ground

Singe what we can’t keep fold or spindle

That which offends affords a speck of light

Or offers a line of currency limitless ebullient

Minds before us rank us after us (then them)

Frothy & out of print in the way most best girls are

Tense flutter make a coy fire beneath the seat first section

& minor baseball game is a cute diversion

Major league ball more like Poetry living now

Diseased on the shores of the Chicago Ocean laps

You "quintessential host" you may after final

Antiquated rush never alone since G-d laughs

At people like us we take in resemble careen toward dust

Sleep in red final clay chitter through best sad dusk



Good News, Bad News

Good: There's a tiny restaurant in P-town called Good Dog, Bad Dog. It serves an astonishgly delicious array of housemade sausages with lots of fixin's. And beer. I could really use one about now. A dog, that is. And a beer.

*

Bad News is this: I can't figure out why the dang pictures are no longer loading on the ol' blog. Can anyone help?? The DJ in a tutu pic is killer, and so is the one of me in a pimp hat. Or so I think.

*

Good News is this: I have a new favorite CD. Arto Lindsay's "Salt." It's a semi-Brazilian half-English half-Portuguese soothing but bouncy pop thing. Good for what ails ya.

*

Bad News: the dissertation is coming along slowly. I managed nine pages this week, drawing broad connections between African American poetry movements, Lyrical Ballads, and Paul Goodman's notion of the avant-garde as community-based practice. But, I feel like I'm saying nothing interesting or new. Blah.

*

Good News: Lucky Error was a "strong semi-finalist" for the 2004 Kathryn Morton Prize. Huzzah. On the other hand, I need to move beyond this "semi" phase/rut I seem to be stuck in.

*

Bad News: no further weight loss. I've kept off the four pounds I mysteriously lost, however. Alas, I am still obese. Probably because I keep doing things like eating at Good Dog Bad Dog and indulging in malted barley much too frequently.

*

Good News: Aaron T. of fishblog turned me on to the coolest game ever: The Kingdom of Loathing. My character is a Sauceror. I have a saucepan and several other neat items. I've beaten up my share of Orcish hobos so far.

*

Good News: Julie Dill's blog is now way prettier than it used to be. She's also posting more frequently. Yay. I'm a big fan of Ms. Dill.

Sunday, June 20, 2004

Saturday Night's All Right For...

Seeing Dan Jones and his band (this incarnation is called "Thrasher") cover "Rust Never Sleeps." I guess this is going to be a regular gig--next time I hope they do "Zen Arcade."

Anyhow, here's Dan in a tutu:



And here's what we drank--that coppery liquid is mead:



Why am I wearing a pimp hat? Must be the mead and the rock and roll.



Friday, June 18, 2004

Jonathan Mayhew

makes an observation about John Koethe over at Bemsha Swing to which I'm partially sympathetic:

"Koethe, whose poetry I don't at all dislike, basically imitates a single facet of Ashbery's more complex work in a skillful but ultimately, to my mind, limited way."

I agree that Koethe's best work is essentially Asberyan. The "single facet" that he imitates, however, is to my mind Ashbery's best facet. To see Koethe-as-Ashbery in action, look at his poem "Adelaide" in The Canary #3.

Thursday, June 17, 2004

The Dante's Inferno Test has banished you to the Second Level of Hell!
Here is how you matched up against all the levels:
LevelScore
Purgatory (Repenting Believers)Low
Level 1 - Limbo (Virtuous Non-Believers)Moderate
Level 2 (Lustful)Very High
Level 3 (Gluttonous)High
Level 4 (Prodigal and Avaricious)Very Low
Level 5 (Wrathful and Gloomy)Low
Level 6 - The City of Dis (Heretics)Moderate
Level 7 (Violent)Low
Level 8- the Malebolge (Fraudulent, Malicious, Panderers)Moderate
Level 9 - Cocytus (Treacherous)Low

Take the Dante's Inferno Hell Test
Visitor 1000

to this blog will receive a gift. Of some sort.
Not sure what. Suggestions? I have some nice postcards.
I have some CDs. I have cookbooks, books of poems, family photographs.

Let me know if you're number 1000.

Wednesday, June 16, 2004

Rain Finally Broke

It's a respectable 76 degrees here today. Nice breeze though. Warm & windy.

*

One of my lit students wrote a two-hundred or so line poem in rhyming couplets (heroic?!) about the current state of American politics. Go DJ!

*

The first chord in Wilco's "Theologians" is the same as the first chord in Van Morrison's "St. Dominic's Preview." I just noticed this. Too bad I have a tin ear--I can't tell you what chord it is or anything.


Tuesday, June 15, 2004

Bits


I didn't go to Portland. Greyhound oversold tickets, and I didn't feel like waiting around. Instead, I stayed home and watched the Pistons positively pulverize the puny Lakers. Game 5 tonight!

*

In one of Emeril's cookbooks, there's a recipe for Goat Cheese and Lentil salad that Emeril, in his headnote, says is "for all you vegetarians." It includes a half-pound of slab bacon.

*

Mailed off more Canaries today. I think we're mostly done. If you are a Canary contributor but haven't yet received your copy, please let me know. If you're Aaron McCollough, Sabrina Mark, or Aaron Tieger, don't worry--I mailed yours today. Wow, I just typed "married" for "mailed"...amateur psych. folks: what does this mean?

*

Like Lisa Jarnot, I must admit my fondness for Starbucks coffee. I'm probably going to politically-correct hell (which is probably a lot of fun).

*

I need to write more poems. Send me ideas.

*

I'm wearing my ZYZZYVA t-shirt. It's peachy.

*

I'm still looking for people who want to travel to NYC with me this summer to see Shanna and co. Apply back-channel. Or in the comment box. West coast/Bay area poets especially welcome.

Sunday, June 13, 2004

Gone

To Portland. Until Wednesdayish.

I'm bringing with me a book of short stories by Haruki Murakami and Reb's Cackling Jackal, which I'm still scribbling on.

I'll file a meal report when I return.

*

Last night's exciting events included listening to some metal, circa mid-80s: Metallica (Ride the Lightning), and Suicidal Tendencies, and watching parts of Pulp Fiction again, as IFC was having a sort of PF marathon.

Tonight I plan to find a spot with a large television so that I can watch the Pistons stomp the Lakers yet again. [gleeful laugh]

Friday, June 11, 2004

Great Poems

Reb raises an issue (or non-issue) over at her Jackal about great poems and poets.

My say: Nothing is deeply true and universal. Everything is deeply true and universal.

I'd recommend that Reb's friend read John Dewey's "Art as Experience."

Bemoaning the current state of poetry seems a little pointless to me. On one hand, it's like bemoaning the current state of dragonfly sexual habits research.

On the other, though, it's true that poetry is something that matters to many of us. So it's an important discussion insofar as it gets people talking about what they love.

I think Gudding is the next Shakespeare, for what it's worth. But I don't believe in Shakespeare. I mean that in the same sense that John Lennon doesn't believe in most things in the song "God."

I just believe in me. Yoko and me.
Two Observations

My comment boxes are getting very lonely.

If the events of last night's party are any indication, I need a lot more work on #9 on my To Do List a few posts down.
Working Class Redux

Once again, a favorite blog topic is making the rounds. I've weighed in before, but I'll do so again here. Most of the comments that follow are cribbed from Reb's comment boxes.
*

I sometimes forget what a strange place I live in. In my neck of the woods, the only poets with any sort of public acclaim, perceived validity, etc. are "working class poets." Mind you, this has very little to do with one's background, or current occupation, but rather, how many poems one writes about factories, tree-falling, and so forth. If, like me, you come from a small town with working-class parents, but don't happen to write about it, you are not treated kindly by the "real poets." Folks like me are seen as somehow aberrant, enemies of poetry, enemies of the "common folk." Of course the "working class poets" hold comfy academic chairs and have soft hands.

*

"Working Class," in my country, as an adjective applied to poetry, is inextricably bound with "plain narrative." What the soft-handed academics (who may have once spent a summer working in a Kleenex factory, or who visited Hawaii once to reconnect with "their people" but got full on Loco Moco and came home early) who write "working class" poetry assume is that the "common people" are also simple people and that they have no interest in poetry that isn't as straightforward and monosyllabic as a third-grade textbook. I'm exaggerating, but only very slightly. They write about "love" and other universals, but formally, they're suspicious of anything more radical than Phil Levine or Sharon Olds. And they are big on identity politics. I ran into some big trouble a few years back because my poems didn't have lumber mills and/or refried beans in them. Hey, that's the title for my next book: "Working Class Spic."

Thursday, June 10, 2004

“I will drink your cocktail?”
                     for Sara McCurry

The tail of a cock is like a drink of alcohol.
The careless cock should not be mixed with booze.

I write the cursed document,
uncomfortable & fresh.
I write the pussycat, I write the neck.

Your long ‘O’ and your neckerchief,
Your fancy things, your sad Ortiz,
Your tummyfat like bacon, your quick flute.

I come with itching eyes & buzzing flies
& burnt Baalzebub. I come alone.

Pan-Asian is like Pandemonium.
I sing the crooked cock, I sing the tail.

I saint the tale of vaunted cock,
The punch-drunk Chaunticleer,
The red red comb.

I will drink your every little thing.

Wednesday, June 09, 2004

Grading

Is done. Or most nearly. I just need to double-check final percentages and submit the final grades to the registrar, which I'll do tomorrow, after which time, if you're my student, you are no longer, which means you can fraternize with me. Especially if you want to buy me a drink.

Hmmm....

I removed the pic because it was messing up the too-skinny Blogger newfangled template. In any case, I took one of those quizzes: "Which Mythical Creature Are you?" and learned that I am a freakin' Mermaid. A real tough, he-man macho Mermaid. Sheesh. Who am I kiddin'?

Tuesday, June 08, 2004

Stuff to Do in the next two weeks:

1. Finish grading. (Final exams and one final paper left to do.)
2. Send Reb comments on her Cackling Jackal.
3. Finish mailing out Canaries.
4. Submit poems to all those places I keep forgetting to submit poems to.
5. Cook something tasty.
6. Go to Hannah and Kelly's end-of-year party and, well, party.
7. Plan summer composition course (starts Jun 21).
8. Go to Dan Jones' live performance of the entire "Rust Never Sleeps" album.
9. Practice being charming.
10. Write some dissertation pages.

Monday, June 07, 2004

For Yet Another Wedding

Before we turned left onto the one-way runway, before we fell
apart, before everything we owned was due in six hours

or so—they say (and who are they but our
former and future selves in funnier hats)—they say we once

were happy there in the blue-green country where we
each stood separately, apart from the worries of the other,

that named twin who for each of us took on private
resonance, luminescence. Since Memorial Day

has come and gone, and since your hair has weathered
the dry prairie wind, gone brittle and limp,

since men have catcalled and pratfalled and fallen
all over, landing everywhere but atop

you (well there was that one, and then that other fellow—
but he doesn’t count), since back before the dream

of returned-for-too-little-postage, since the night
I didn’t kiss you in the falling dark and drunk,

but shrunk back, afraid of my own second story
apartment. Until the grey secedes in sheets of yellow,

washing over all, and the bottle of gin requires no
reminder from the vermouth, until the memorization

of the metric-English conversion charts, until all
of Auden makes sense, and rules for engagement are no

different than the conditions for a successful summer
fling, until my holy Cuban ancestors ride by in a procession

of bright bicycles. After this, after all, after the final
phone call I won’t be home to answer, after the missed

wedding and the naughty bridal shower, after the honey
moon and the clover honey and the slow dying summer,

after I remember what brought us here, what kept us
invisible but audible to the other, what rent us, lovingly, apart.
Missing

I’m feeling very poetic today!
I’m wearing my loafers and chambray shirt.

The usual group has convened
and Bryan still looks like Ron Padgett.
They’re both, you know, from Oklahoma.
John looks like a kindly gnome when he laughs.
Something is missing, but we
ignore it. Or they do.

You have sand in your hair;
some man’s fingers on your wrist.
Crisis on Jane’s Behalf

Love, I’m frowning. I’m downing
beers and whiskey shots, gazing
at women with hard faces, impossible
bodies, other drunks.

I will call you next week (the promise
unkeepable). I have an Audrey Hepburn stamp
that looks like you. All this sleep—
green, brutal!

I always wanted to grow old & normal,
always wanted your mouth (and your arms) wrapped
in plain brown paper, sanitized,
for safety, my loveless consumption.

Trying as hard as I can. The airplanes
have stopped flying, the poem I’m reading
has stopped being about you. I will remove your
parentheses.

You’ll tumble off the page into my canoe.
Mail!

In the mail:

New issues of Gourmet, Saveur, and Bon Appetit--they always arrive within days of each other. My food-porn fix is sated.

Two postcards from Julie Dill. She obviously understands what it's like to be Tony Robinson--the girl had to eat at Quizno's, for chrissakes! Poor thing. Go eat some foie gras now. Or roasted asparagus.

On the front of the cards--a baseball thingie place, and Iggy Pop touching himself.

A letter from the Oregon Employment Department announcing that my unemployment insurance overpayment has been paid in full! Goodbye Monthy Bill!

No passionate love letters.

*

My culinary proclivities have taken a turn toward the humble. This weekend I dined on chicken-fried steak and pizza. And beer. Lots of that.

Grading papers like a madman. Just finished twelve. Taking a break. I hope to be finished by tomorrow afternoon--then I'll begin penciling marginal notes all over Reb Livingston's Cackling Jackal.




Saturday, June 05, 2004

Yesterday...

I received my first-ever hand-written fan letter!
That was kinda neat.


Friday, June 04, 2004

On Turning 32

I’m at least as powerful as two sixteen
year old girls and nearly as pretty as one of them.

So what if July only comes once a year
and lasts too long?

So what if she used to be a dancer and now
polishes brass for the Polish police?

*

I’m half as smart as the dumpy guy
with mussy hair and three indie records.
He’s married, but I have more heart.

I’m tired of smelling like salt, sick
of being fat-soluble. The strangest things
collect in the bottom of the tub.

*

I’m a B-list everything but at least I look good
from a certain angle. No, not that one.

My heart fell off my polo shirt some time back,
Along with the alligator.

I can spare a lower intestine, though. Return
Your cross-continental phone call?

There’s some shit even this broken man
won’t wade through.

*

The one who shares my day, who lent
me a slim volume—she’s pretty,
but so are the stars.

That must be the point.
I don’t look up enough.
She has the kindest face.
Author Photo

My nose
isn't really
that big.

Thursday, June 03, 2004

This is what I did with those potatoes:



I roasted the Yukon Golds in a 350 degree oven with a little olive oil, salt and pepper, for about 30 minutes. Meanwhile, I chopped fresh sage and scallions and sauteed a couple of ounces of pancetta until crisp.

Potatoes, slightly cooled but still warm, went into the bowl along with scallions, pancetta, and sage. The whole was dressed with an on-the-fly vinaigrette I concocted from honey, vinegar (red wine & balsamic), extra virgin olive oil, salt, pepper, a bit of spicy brown mustard, and one finely minced clove of garlic.

I think this is the best thing I've eaten all week.
At the Farmer's Market, I got these:

Ninjas assassinate Pirates—series tied 3 to 3

In last week’s ballyhooed Pirate show,
The Ninjas made a strong
Cup of tea. Led by Sho Kosugi,
The Ninjas out-drank Johnny Depp,
Blackbeard, Bluebeard, and Captain
Morgan by an astonishing margin.

The tetsubishi and shurikens lent
A frightening air
To the Caribbean night air in which
The pirates were accustomed
To breathing. Tabi boots and bolos
Were also in attendance.

John Lennon and the surviving Beatles
(along w/Freddie Mercury, always
more a fan of pirates than ninjas)
attended the Steelers game, parrots &
eyepatches in tow. X marks the spot;
Bruce Dickinson of Iron Maiden
Made a brief appearance.

Bill Murray was pitching Eight Pieces
Rum, the perfect libation
For a plundering session. I got drunk
And weepy over a photograph
Of Scarlett Johansson, didn’t even
Notice the dude in the black hood
Until it was much too late.
When Iris Sleeps Over


1. Saw a dragonfly this morning. I was pleased to have this encounter as I'd suspected them extinct for some time now. I'm also convinced that the pacific tree frog I so loved in my youth is extinct. And the wooly bear caterpillar. Also, any single, sane women who have romantic interest potential. All extinct.

2. I have, since approx. 1 month ago, lost four pounds. Makes me want to celebrate with a stick of butter or two. Fresh creamery butter. Mmm..

3. Good news in Canary land: Josh Edwards, our founder, is a finalist for the Verse prize. Good goin' Josh. Stay away from painter-ladies.

4. "Iris" by the Breeders is a great song. So is the Stones' "Paint it Black." Led Zeppelin still sucks, Michael Schiavo!

5. I read Ezra Pound sometimes. Jimmy Behrle doesn't. Tony Tost does. I like the early, pre-imagist poems, the Cathay stuff, and ABC of Reading and How to Read. Not much into post-Mauberly stuff (i.e. Cantos). Pound's ideas about *poetry* (not politics) mean much more to me than most of his poetry. And they're still relevant, especially for the new writer. Go in fear of abstraction. (At first, then abstract the hell out of everything later, a la Wally Stevens.) If your name is John Ashbery, you may begin abstracting immediately. No, but seriously, I don't see what all the fuss is about. Read him or don't. But quit filling up Tost's comment boxes.

6. Am I the only person in my demographic who doesn't think Jeff Tweedy is the greatest thing since sliced bologna? Wilco is a good band, not a great one. I still can't listen to Yankee Hotel Foxtrot all the way through. Some great songs, but not a great album. Same goes for everything they've ever recorded, though if forced to pick one as a "best," I'd take Summerteeth any day. Uncle Tupelo, on the other hand, recorded a handful of really really good albums (I didn't say great) that hold up to repeated listenings. And Jay Farrar put out two really stellar Son Volt records. His post-Tupelo-post-Volt solo stuff is uneven, about like Tweedy's Wilco work. Outkast is better than Wilco, too.

7. Reb says I look like Amy Gerstler. I think I look like Paul Muldoon.

8. Some of this stuff is lies. I lie sometimes. I make stuff up. That's what I do. The stuff about Tweedy isn't lies though. And I really did lose four pounds.

9. I'm looking forward to the Aubergine anthology being prepared by Mssr. Corey.

10. I'd like to see Swayze and Scott Baio in a buddy film. That would be keen.

Wednesday, June 02, 2004

Note to Self:

Don't take Benadryl before teaching.

Tuesday, June 01, 2004

Julia Comments on My Use of Her Private E-mails as Fodder for the Blog

"I am pleased and embarrassed that you put me on your blog. It seems that the only times I am cited, I am saying somewhat stupid things. What will all those poets think?"

Love Note to Patrick Swayze (with refrain by John Cale)

Julia says you may
have macro
-orchidism. (with fragile x).
I say
you’ve got
the biggest balls of all.

“Pain don’t hurt.”
& I believed you.

Arnie-as-Conan spoke:
“Only pain [hurts me].”

But Arnie’s
a right
wing
prick

& you’re a ghost.

(la la la la la la la la la).

A kick-ass dancing
ghost
w/the biggest

balls of all.

Monday, May 31, 2004

This cracked me up:

Just now received an email from Social Worker/Counselor/Forrest Whitaker Hater extraordinaire, Julia Beckner-Covert. It contained the following, which made me spit coffee all over my clean Pixies t-shirt:

"What are you writing today? I am writing a paper about the psychosocial issues of men with fragile x syndrome. They all have macroorchidism, which means BIG BALLS. Maybe even bigger than the Swayze's in Road House. Maybe the Swayze has macroorchidism and fragile x."
Sunday, May 30th Canary Meeting

No Sopranos this week, so Robyn, Nick and I convened for a Canary editorial meeting at a local hipster joint.

Here's the happy couple:



We had to make a lot of tough decisions. My hamburger was good. Nick sent back his beer. Robyn drank Bloody Marys.

Memorial Day with Coffee and K. / other things.

I just returned from a trip to Full City for the requisite mid-day triple americano. I got the same thing two years ago. I later wrote a poem about it. Well, a poem titled "Memorial Day 2002." I went in for coffee and came out four hours later with a new friend and a huge crush. Wait--that's not true. The huge crush came a few days later. In any case, because of this chance meeting two years ago, I ended up writing the poems that became lucky error. Paging through the ms. a few days ago, I noticed that only a handful of poems in the book predate May 31, 2002.

I waited in line for my coffee and spied, a few feet away, K., a young woman who I knew "professionally" but not personally. The discomfort that accompanies publicly encountering someone you don't really know provoked me to ask her for poems for the fledgling Canary (then The Canary River Review). We sat down to exchange contact information and left when they kicked us out four hours later (early holiday closing time). I didn't really "fall" until I read her poems a few days later. She left Oregon less than a month after our first meeting, but we kept in contact for the next year and a half exchanging daily emails, occasional phone calls, sharing poems, postcards, and so on. During this time I was writing, revising, putting the book together.

K., like Dan Jones, is originally from a Kansas City suburb--on the Kansas side. Like Dan, she has also called Eugene and Iowa home. We don't keep in touch much these days. So it goes. She's at MFA school now, turning heads, and I guess going to a lot of parties, which is what they do in Iowa, or so I'm told. Laurel? A lot of partying?

On my way out the door, I ran into my neighbor, also K (I'll call her K2), who works at Full City, and talked about the future of our home. We live in a huge converted turn of the century frat house. New owners took over recently, and changes are happening. K2 is moving out to be closer with her boyfriend (my ex-roommate, M.) who lives on the Oregon Coast. A lot changes in a couple of years. When M. lived with me, he was notable chiefly for drinking copious amounts of malt liquor, smoking pot, and falling asleep while eating or preparing food. Now he's living a respectable coastal life as a marine biologist. And me? I'm still writing a little, and trying to muddle my way through a graduate degree that will render me unemployable and debt-ridden. Two more years, more or less. The huge (1500 sq. ft) downstairs apartment is opening up, and they're only charging $30 more per month than I'm paying for my considerably dumpier upstairs joint. I'm going to try to switch.

*

As my student/friend (soon to by not-student, and so then, perhaps, simply friend) K3 (yes, I have a lot of Ks) wrote to me today, "four months and ten days," which is the time until our birthday (yes, we share the same birthday). And then what? I guess I'm supposed to look forward to something good--I'll be thirty-two, and still living like a big kid. But it's nice to have a goal--

In the more immediate future, I'm looking forward to visiting Shanna & Co. in NYC in August or September. Later in the winter, I'll be heading to Chicago to see Nick and Robyn, (they're moving there at the end of summer--Robyn got a job at Northwestern). AND there's a possible summer house and cat-sitting gig available in Chi-town next summer when Robyn will head to New Zealand to be with Twemlow, who will, at that point, be sheepfighting his way across the country. Or future dominating. Or self-defending.

Anybody want to come to NYC with me? Or Chicago next summer? I'm serious. I hate traveling alone.
Memorial Day w/Dan Jones

Local singer-songwriter-folkie-punker Dan Jones has a great song on his first album, For Your Radio, called "The Great Flood Museum," about a Memorial Day family reunion. I first heard Dan opening for Reclinerland at Sam Bond's Garage about four years ago. Dan was playing an acoustic show, accompanied by a dude with a single snare drum and some brushes. He played Husker Du and Roger Miller covers, and a dozen or so gorgeously spare, heartbreaking, funny originals. I bought his record immediately after the show, and have listened to it at least weekly for the past four years. Dan is from a suburb of Kansas City, MO, and like lots of poets, went to school at Iowa.

"Everybody's comin' home memorial day
There will be kids sleepin on the porch.
Bobby's bringin' home his first boyfriend
and Carrie got a budget divorce.
Mom's in the kitchen complainin' about the sink
and I'm in the rec room, tryin' not to drink
I think I'm gonna go downtown.

Everybody's comin' home memorial day
there will be Buicks up and down the street.
We've got a radical aunt who brings her own seitan,
and she won't sit at the table with meat.
Dad says "Geez, that's a darn good steak."
She wants to know if there's refined sugar in the cake.
Cousin Virgil went and drove her electric car in the lake
because he heard the water level was down."

And so on. Really good stuff.


Saturday, May 29, 2004

What do you do on Saturday afternoons for fun?

1. I ate two tacos and washed them down with fresh limeade.

2. I've been reading Terry Eagleton's After Theory, in which I stumbled upon this passage: "[T]he advent of sexuality and popular culture as kosher subjects of study has put paid to one powerful myth. It has helped to demolish the puritan dogma that seriousness is one thing and pleasure another. The puritan mistakes pleasure for frivolity because he mistakes seriousness for solemnity. Pleasure falls outside the realm of knowledge, and thus is dangerously anarchic. On this view, to study pleasure would be like chemically analysing champagne rather than drinking the stuff. The puritan does not see that pleasure and seriousness are related in this sense: that finding out how life can become more pleasant for more people is a serious business."

Amen.

3. I've also been reading Reb Livingston's manuscript, Home-Schooled by a Cackling Jackal. It's good, so far.

4. I've done dishes, laundry, thought about paying bills.

5. I'm currently listening to Dire Straits' Making Movies. Mark Knopfler makes me giddy.

This just in from Dr. Johnson:

"I was just going to say that most people in Brazil speak Portuguese and
not Spanish. Just like most people in the United States speak English.
However, a little known fact is that half the population of Paraguay
speaks Guarani. Paraguay is a very weird country, full of ninety year
old Nazis and still-living smaller Brontosauri deep in the unexplored
jungles of the northeast. My cousin saw one, and he is the City Attorney
for Nome, Alaska.

Kent"

Friday, May 28, 2004

Testing the < pre > tag!



“He exploits western understandings of metaphor.”

asymptote: fantastic glass
what’s visible: ghost dance, junior prom
the bastards have a sandwich plan:
upheaval & all available citrus

a nation in the process
muliticultural breadbox kicked
in the stomach
what renaissance? whose moon on the face
of the dappled green lake?

put it in your mouth: try not to choke
last available moment rushing toward
a watery hyperbola
Spanish

My brother insists that although the official language of Brazil is Portuguese, the majority of Brazilians speak Spanish. I think he's full of shit. I don't know any Brazilians. Can someone help me out?

*

Just returned from a lecture by Dr. David Vazquez on Gloria Anzaldua. David didn't talk much about Anzaldua, though. Instead he ironed out the meaning(s) of the following terms: Latino/a, Chicano/a, Mexican-American, Hispanic, etc. I found all of this very useful. In my home, growing up, the preferred term was "Mexican," which signified not a national identity (we're Americans, after all) but an ethnic/racial one. Now, I suppose, (based on Vazquez's definitions) I should call myself a Mexican-American. But I'm not really into hyphens.

It occurred to me that my relationship with Spanish is troubled, as well. On one hand, hearing Spanish spoken makes me feel safe. On the other, it alienates me. In my boyhood home, it was the language of my mother, my grandmother, many of my aunts--it made me feel loved, and that love was particularly feminine. I don't associate Spanish with men. On the other hand, it was always the language of exclusion. My mother and her sisters and my grandmother spoke exclusively in Spanish to each other only when they didn't want the children to understand. We were never spoken directly to in Spanish (except in cases of anger--I know what all the bad words mean)--Spanish was a "secret code" by which I was denied access to the grown-up women's conversations. Still, I managed to listen a lot, and pick up enough of it on my own. Later, in high school, then in college, I took Spanish courses. I still can't speak much. My brother--raised in the same household--can't speak or understand a single word of Spanish, save what he learned from the film "Blood In, Blood Out," which is East L.A. street dialect, cholo Spanish.

*

While attempting to procrastinate/do research on the Brazil thing, I ran across an article about a new dialect gaining popularity in Brazil that's a mixture of Portuguese and Spanish, roughly analogous, I guess, to the "Spanglish" of the American Southwest.

*

My Hebrew is better than my Spanish and I'm not even Jewish

Thursday, May 27, 2004

What's the HTML tag

that will render a chunk of text "as-is"--preserving odd spacing and such?
What's Goin' On

Listening to Marvin Gaye today, which seems appropriate, given recent flim-flam and floof (to use Julie Dill's word) in the WORLD. World. Word.

Speaking of Ms. Dill, an interesting post over at Vowel Movements today regarding Kent Johnson and Abu Ghraib. I personally like KJ's "Goodnight, Baghdad" poem better, but I am not offended by the new one. Kent Johnson is a provocateur AND a shameless self-promoter, and I see nothing wrong with either. I try to publish my poems too. Part of Geoffrey Gatza's project over at VOX is to present poetry w/visuals. We've all seen the photos--ignoring them won't make the problem go away.

Poetry is/can/must be concerned with violence. Avant-garde poetry even more. I use the term because of its martial connotations. Many practitioners of po-mo/experimental/innovative/post-avant seem to use these terms to distance themselves from the historical avant-garde, from a stance that proposes, a la Marinetti, that war is the only hygiene of the world. The rhetoric of avant-garde poetry has always been a rhetoric of violence, though, a rhetoric of opposition--all romantic poetry, in fact, stems from revolutionary ideas, and everyone knows we can't have a revolution without coffins. This needn't mean that the avant-garde artist be engaged in actual violence, but it's part of his or her job to confront it, to expose it, to question it, and to, yes, use it.

* * *

"History is a lie made up by those in love." Michael G. Johnson, Reclinerland.

* * *

Also speaking of J. Dill, I'm currently at the top of her blog roll. Which means she frequents my blog most frequently. Yay. I still hate baseball.





Tuesday, May 25, 2004

So long sonnet

Dear gooseflower, dear smiling wolf, dear
gone-so-long, dear naked girl wandering.

Smote up, smashed-through, smeared with inky blue,
impaled on your small voice, kind & sharp.

A kind of sharp noise: two years of voicemail,
messages stuffed with fish—our stand-in, for, you know.

The bachelor’s buttons twist in the wind.
Frantic Frenchmen whistle at scissoring legs.

Cut out this shape. Then this one. Trim again.
Repeat & fill, repeat & fill. I am emptied.

*

Dear never-there, dear thin brown container,
Dear sitting on Brenda’s knee & laughing at Laurel.

How much life have I taken from you. How are you not
but a fragile veneer, how can you still say je t’adore?
Slight Reworking of the Belz Poem

Is it better? Worse? The same? Check one.
Do you like me? (Yes, No, Maybe.) Check one.

* * *

HASH ANTHEM
           for Aaron Belz

Come closer, Mr. Belz; your sentence
is commuted. Faulkner believed God
was dead, our pursuit of him no
more than "a steeplechase toward nothing,"
a credo hard to follow if you've seen
the Arch all yellowed & pinked, snow
falling carelessly on lonely,
dirty St. Louis (a Coke town, not Pepsi),
no drugs in sight, the haze not hash
smoke but December fog & half a dozen beers.
Hard to believe that God doesn't want
us to listen to Surfer Rosa, or to bounce,
screaming, however briefly, into Eisenhower
America. Aaron, you prefer Budweiser
to microbrew & Frost to Stevens but I say
it hasn't a thing to do with your children—
it's drizzly in Missouri, the Mississippi
is risen & you: beautiful man bloodshot
& high as one can get, short of paying
the eight bucks to ride to the top.

Monday, May 24, 2004

'nother pome

"If You're A Girl, Don't Buy 40 Pairs of Cheap Shoes--Buy 5 pairs of Good Shoes."
for Julie Dill

I overheard
these words
on my walk
to a talk
on Flan O'Connor.
I'm a goner (I thought)
if I don't write
(however slight)
a poem for Julie Dill.
Okay. I will.
I've always loved shoes,
sodomy, & booze.
Jules--thanks for the posse!
(But I'd have settled for kohlrabi.)

Smoke Gets In Your Eyes

Come closer, Mr. Belz; your sentence
is commuted. Faulkner believed God
was dead, our pursuit of him no
more than "a steeplechase toward nothing,"
a credo hard to follow if you've seen
the Arch all yellowed & pinked, snow
falling carelessly on lonely,
dirty St. Louis (a Coke town, not Pepsi),
no drugs in sight, the haze not hash
smoke but December fog and seven beers.
Hard to believe that God doesn't want
us to listen to Surfer Rosa, or to bounce,
screaming, however briefly into Eisenhower
America. Belz, you prefer Budweiser
to microbrew & Frost to Stevens but I say
it hasn't a thing to do with your children--
it's drizzly in Missouri, the Mississippi
is high & you are beautiful, bloodshot
& high as one can get, short of paying
the eight bucks to ride to the top.
As Promised (the others are coming):

Just Me and the Cats
for Reb Livingston

Chipotle every day for dinner, soft!
Your wicked excellence (sans Mom) will serve
You well in the hop-house, hussy.
The house is safe as kittens, soft your
Smile is safe as houses—if you worry
About being sentimental, put on
A fear grin and drop a handsome dollar
In the curse jar. Braised kale every
Day with Lou Reed, and in the midnight
Hour, she cried more more more.
Moe Tucker in my breadbasket, a jackal
On the lawn. Someone is always
Listening—the little pitter-pat
Of the murderous childish late-May rain.

Saturday, May 22, 2004

I look like:

Antonio Banderas, Orlando Bloom, and Denzel Washington, according to Analogia.

Huh??

(Okay, now...seriously...when I was younger and thinner, and had longer hair, I would get the Antonio Banderas thing pretty frequently.)
POEMS & WHATNOT

On this day of May 22, the Year of Our Lord 2004, I have made a fine inventory of all things poetickal sprung from my pen in the recent months. I've discovered this:

Since January, I've written only 11 poems. The titles of these poems (lucky error 2?) are: "Twelve for Joshua," "Songs for Sanity," "Sheepfighting," "Each Other's Arms," "Cardboard Tubes," "Something for After," "Focus on Sainty," "Boxcar Waiting," "Cautionary Tale," and two unnamed "gothickish sonnets."

If these eleven poems are the germ/kernel/yeast of a new post-lucky error collection, I'll be very happy. So far, the subjects of these poems are: mundane-but-functional household items, Nick Twemlow and Josh Edwards, lines stolen from pop songs, being stood up in St. Louis, and rhymin' & stealin'. A concept is slowly forming. Anyway, all these poems are up for grabs (actually, I wrote another couple this year, but those are taken...these eleven represent my unpublished output this annum). Who wants them?

*

Form rejection today from BWR. More to come, I'm sure.

*

I feel like writing occasional poems to friends, cyber and otherwise. The first three people to place something witty in the comment box will get specially-crafted, fat-free, hig-carb poems of their own. Do something good for yourself.

*

I might write a song about listening to the Mountain Goats and smoking hash with Aaron Belz. Except I never really smoked hash with Belz, but would if the chance presented itself. When Belz picked me up at the airport he was listening to Surfer Rosa in his cute little car. I also had the pleasure of seeing Carmine Appice of Vanilla Fudge at the baggage claim. His mustache was huge.


Thursday, May 20, 2004

Goodish News

There's a new Jay Bennett record out. That's good news. I shall purchase it.

*

My department is giving away old computers to folks working on dissertations. I get a free office computer--my choice of Mac or PC. Oldish, but still free. How cool is that?

*

Just received a letter from the Humanophone herself, Janet Holmes, telling me that my book, "lucky error" was a semifinalist for the Sawtooth Prize! Made my day. Mad props are also due to Josh Corey and Aaron McCollough, both of whom were finalists! And of course to Noah Eli Gordon, who won. As Tony Tost mentions in a recent post at The Unquiet Grave, it seems as if the blogosphere is the new Iowa.

Tuesday, May 18, 2004

A triumvirate of not really related things

I just returned from Martha Silano's reading at the Eugene Public Library. It was pleasant. She read a lot of food poems. She plugged The Canary. I'll post a full review here in the next day or two. I need time away from blog for a bit. I will say this: Martha Silano reminds me of a non-squeaky voiced Brenda Hillman. But her poems are nothing like Brenda's.

*

A whoppping ONE person has invited me to visit his/her town. I really AM chopped liver, it seems. And that person responded anonymously (tho' I'm guessing it's the JewishyIrishy one, since the invitation was to Iowa City or Atlanta).

*

Made a fab potato salad tonight. Ate it with an egg and leftover pork loin. Tomorrow: experiments with asparagus and citrus.
Happy Mt. St. Helens Day!!!

Monday, May 17, 2004

Another Old Poem

I'm not sure why I'm suddenly obsessed with what I was doing/saying/writing/eating/sleeping with X years ago, but here's a poem I've recovered from 1999.


October 28
—Operating Instructions

The beginning is back there,
past the paper scraps, the greenish orbs
and the men moving through

a sea of yellow leaves littered with
limbs that look like longish fingerbones,
curved in invitation: Dearie, step inside.

And these are the things to fear:
white on yellow, the tattered edge, boys
too pretty to want to crawl inside,

girls without mouths, and another
night without drink. It has something to do
with necessity and the spiral: machines.

Begin: we talked over Chinese food
and coffee. The soup was merely “okay”
and the service somewhat average,

and I said and she said, and the view
was fresh from up there. I could see the bus
stop. People were going away.

And another scene: Tiffany complaining
students are all bums. And the bums, well, some
of them are rather wise. For bums.

Click. It goes on.
Thirteen Years Ago This Week:

I was listening to the following albums in May 1991. Why this matters, I don't know. Why do I keep records of this sort of thing? Good question. Here 'tis.

fIREHOSE, "Flyin' the Flannel"
Breeders, "Pod"
Jane's Addiction, "XXX"
R.E.M., "Out of Time"
Neil Young, "Live Rust"
The Cure, "Disintegration"
Lou Reed, "Rock and Roll Animal"

I was certainly listening to other stuff at the time--(Peter Tosh, "Legalize It," for example.)--these all had more or less heavy rotation though.

Sunday, May 16, 2004

Recently Acquired

Listening:

The Martinis, "Smitten": I wanted to like Joey Santiago's post-Pixies project more than I did. The guitar is smokin', the vocals are okay, the lyrics are mostly shite, and the songs are, well, adequate pop, but nothing amazing.

Loretta Lynn, "Van Lear Rose": Okay, this one I like. The duet with Jack White, "Portland, Oregon," which I expected to be gimmicky as all get out is actually quite lovely. And it gives props to one of my favorite towns.

Masta Killa, "No Said Date" sampler: "The long awaited solo debut from Wu-tang member Masta Killa!" Featuring all the usual Wu members. Just listened to it once, but it's serviceable hip-hop in the Wu Tang mold, which, for me, has grown a bit old over the past decade or so. But worth a listen, esp. for die-hards.

TV on the Radio, "Young Liars EP": This is weird, loopy, sensually vocal, mechanical...what is it? I'm not sure, but it's growing on me with every listen. Reminds me of some old-school trip-hop stuff, e.g., Tricky, etc. but not really. The Portland Mercury described them as "The Commodores on Frank Black's chain gaing," which is a nifty phrase, but I'm not sure if that fits, though they do cover "Mr. Grieves."

Recently Rediscovered: Breeders, "Safari EP." Just four songs, one of them a cover (I think). All of them perfect.

Eating:

"Simple to Spectacular" by Mark Bittman and Jean-Georges Vongerichten. This book is amazing, and incredibly useful for the home cook. Make fancy French-ish food in your own poor kitchen (as long as you don't attempt the recipes with truffles, foie gras, or caviar, of which there are, admittedly, a lot). I learned how to make spaetzle from this book.



Tony's Summer Tour 2004

That's right, kids. I'm going on a summer tour. The only confirmed dates so far are the following:

September 4, Bend, OR, Les Schwab Amphitheatre: The Pixies
September 6, Seattle, WA, Bumbershoot Festiveal: The Pixies

The third week of June is wide open. Invite me to your city. If there are poetry events happening, awesome. If not, we can go to a nice restaurant or a foodcart. We'll, I'll probably want to do that anyway, poetry or no.

Also, August 15 thru the third week of September are also open. I'm planning on making two or three trips, at least. I'll bring me, and maybe some poems.

I might make T-shirts. This is your official invitation to invite me to where you are.

Postcard

I just wrote all over the beautiful postcard Matt Shindell sent me. Then I realized I was supposed to write on a different postcard and send it back. I screwed it up. So I guess I'll slip the original in an envelope AND write a new one.

Saturday, May 15, 2004

Working Class?

Hannah discusses "working class" poetry, elitism, and other interesting things over at her couch. I read this and said "of course." I was "brought up," as it were, by working class poets and have spent the past few years trying to shake this "past," of mine. The teachers I had early on were of the Levine-Olds school, which is fine. What isn't fine is that they tried very hard to make sure that their students had very little exposure to any poetry that didn't fit the narrow stylistic range that they endorsed. One could tell they felt threatened, but WHY? And of course, as Hannah mentions, the "working class" poets of note are usually well-paid, tenured academics who haven't worked for years. I don't write about growing up in a tiny hicktown full of lumber mills and blue collars because I lived it and it's boring and I don't feel the need to romanticize it. On the other hand, if you want to do that, fine--but when these poets begin to polemicize against "the difficult" or the "non-narrative" or whatever it is, I can't help but feel that there's something really ugly and small-minded at work.

Thursday, May 13, 2004

This looks interesting:

Shakespeare's Kitchen

Geneva Convention

When I started this blog, I planned on calling it 'lucky error' for reasons that should be obvious to those who know me. At the last minute, for reasons less obvious, I changed the title to 'geneva convention.' I'd like to say I wasn't thinking. I am, as many folks know (and I'm sure that many, especially in the po-world, do not) a veteran of the U.S. Navy, and the Geneva Convention card was one of those things that I carried, but never really thought about. Of course, we all knew what it SAID, and that it had to do with humane treatment of prisoners of war, and most of us never saw war, and never had to think about it. It occurs to me that it's like the smoke alarm in my kitchen--I always remove the batteries when I cook a steak, or something else likely to produce a lot of smoke. I usually forget to replace the batteries. I never think about it otherwise. When I named the blog, I was thinking of my poem, "Geneva Convention" which I wrote a few years back (pre-9/11) in response to Gabe Gudding's call for advice on teaching in prisons. He was embarking on his first stint as a teacher of poetry to incarcerated felons. Anyway, I had no idea what sort of advice to give someone dealing with prisoners, so I wrote the poem. I now feel like I should say something profound given the recent crimes in Iraq. Abu Ghraib and Nick Berg, and so forth. I'm deeply disturbed and wonder why my reaction doesn't extend beyond dumb shock and then sadness and resignation.

Anyway, here's the poem (which, now, seems trivial):

Geneva Convention
for Gabe Gudding

The enemy is all around you. If you
get caught they’ll make you cry.
If you try to escape, they’ll
throw water on your shoes. If you leave
well enough alone, they’ll poison
your gumbo. If you smell
like an elephant, they’ll squash
your mice. If you eat zucchini, they’ll
over-turmeric the cooking oil,
resulting in jaundice. If you act
like a Frenchman, they’ll give you
dollars instead of francs. If you covet
your own wife, they’ll smile and bring
you bread. If you come in the sourdough,
they’ll kill fifty birds. If you deny
being speckled, they’ll refuse
the right to rummage through the rubbish.
If you turn left, they’ll take a pair of trees
and bury GM Hopkins between them. If you
die in a poetic way, they’ll hire fifty
Greeks to rape you. If you resist, they’ll
convert your cries into dactylic hexameters.
If you stay put, they’ll send ants
to your sandwich stash. If you eat and gamble
at the same time, they’ll put some meat
between two slices of toast. They’ll bring you wine.


Wednesday, May 12, 2004

Hey Blogger!

Um, like these, er, new templates are rilly purty and all, but they's too damn skinny.

Too damn skinny.

My BIG photos can't hang in these little skinny templates.

By the way, who's read "As I Lay Dying"? I'm teaching it next week AND reading it for the first time...

Tuesday, May 11, 2004

I figured it out. Sorta.


Why are all these new templates so damned skinny?

Troubles in blogland

Still trying to make this new blogger stuff work. Having troubles. Stay tuned.

Monday, May 10, 2004

Okay...so I can't change my template without redoing my "customized material"? Is that it?

Bleah. Grr.

Sunday, May 09, 2004

Oops

The post about Kent Johnson has been removed due to the premature nature of the announcement. Watch this space for more official news later.




Saturday, May 08, 2004

What Kind of Poet Are You Anyway?

Friday afternoon, while watching/listening to a T.S. Eliot lecture for undergrads, one of my fellow grad students leaned over to me (while the lecturer was covering "Tradition and the Individual Talent") and whispered "Are you a poet with a hero complex?" I was taken aback, as I don't advertise my poetness around the halls, but then I replied "No, I think I'm the opposite." She then asked "Are you a self-deprecating poet?" I think I nodded my head. Then she said, "I'll bet you're a 'please love me' poet."

Which is as depressing as it is probably true.

Friday, May 07, 2004

Siete de Mayo Poem

CAUTIONARY TALE

Tonight I shall eat fake Mexican
Food with my real brother, who is half-
Mexican—some would call him a fake
Mexican—at a fake Mexican restaurant
Which is really a Salvadorean restaurant
That serves really hot salsa with their
Fake Mexican delicacies and delicious
Curtido with their (as far as I know) authentic
And excellent pupusas. I too was once
Accused of being a fake Mexican,
(never authentic or excellent),
To which I replied, I’ve only been to Mexico
twice and I’ve never felt your pain,
You asshole. That was the same semester
I got my first “F” in graduate school.

Thursday, May 06, 2004

Asparagus, where have you been all my life?

Another good asparagus experience today! After toiling for several hours and producing four pages of dissertation, I treated myself to lunch at Marche.

Ragout of beef tenderloin w/asparagus & fava beans, on a bed of very creamy polenta. Desert was a scoop each of strawberry-rhubarb sorbet and ginger ice cream, with two lemon shortbread cookies on the side.

Yum.

NP: Pixies live in Eugene 4/28/04. (It's Educational!!! It's Educational!!! It's Educational!!)
I Know I Don't Have A Crush List, But

If I did, who would be on it? See, I don't have any current crushes, real or imaginary, but I'm game for a few. So, here's the deal--email me or respond publicly below if you'd like to volunteer as a crushee.

(I'm not yet taking applications for wives. Yet. Or husbands, though we've got that thang out here in Oregon-land.)
A fine spring day, today.

During this morning's walk along the north bank of the Willamette river, I encountered a largish black bird (crow? raven?) struggling with a small, shiny, black snake. Bird snaps at snake, snake rears back and tries to look big, bird nips snake, snake shimmies, and finally, bird bites snake squarely and flies off, snake dangling from birdy beak.

Is this a sign? Of something?

Tuesday, May 04, 2004

Recently:

Received: The New Mid-American Review arrived the other day with one of my poems inside. It's very shiny. Really glossy. It's on the shelf right next to Court Green #1, which is not green, but orange and white, and very non-glossy. It also has better poems in it than the Mid-American. I'm not sure what to make of this.

Borrowed: Warcraft III. Lots of fun with Orcs. Haven't played it much...I have little patience for learning new games.

Eaten: leftover pizza.

Talked to: my Mom. And my Dad. He turned 60 on Friday. Happy Birthday Pop.
I must be getting soft

I gave out more A's on this last assignment than ever before. Either these students are writing better, or my critical eye is sleepy.

When You're Old and Grey and Full of Crap

Teaching Yeats tomorrow. Yay. Stack of 16 take-home midterm essays to grade today. Bleah.

Monday, May 03, 2004

SAVE AMERICA!
Beat Me With A Sockful of Marbles,

Michael Schiavo.

There are two kinds of people in the world--Led Zeppelin fans, and well...
Kent told me

that the current photo is scaring the poet girls away.

Sunday, May 02, 2004

Original English

It keeps happening to me again and again, and you wonder what “it” is and I can only offer synonyms: heart or spleen, kidney or rough trade. And we are assembling each other word by word…each time you open your mouth, I try to classify our relationship, or cast it in terms of Victorian lovers—are you Jane Eyre or Catherine Earnshaw? Are you a Linton yet. I could be Rochester, blind as a bat and abusive to crazy women, I could be burned in a fire, I could be as hateful as Heathcliff and be burning for you. Which is what happens when you live with a cartoon cat. The whole world falls apart, the sky tries to hold you, tries to contain what you called “lust-with-heart” which might simply mean you adore me but don’t want to sleep with me. And friend-cum-lass I feel the same way, but only more so, but only I want to paint you naked, and I want us to cry over dead friends and attend the same weddings not ours…and this is the tragedy of pronouns. Our can mean mine and mine only, or ours collectively but not us together. And we smolder, and the yellow paper flickers. If we are fireflies, we are archaic and monogamous we have a smile of each. And have I told you how shocked I was to see you in a photograph, or rather many photographs? Have you found the frame? No…good, I’ll tell you. Your teeth were many and your nose larger than I recall and your wiry frame more wiry and you were still pretty but I didn’t feel lust. I felt sadness and shame and I went to the church and I kneeled at the fountain and I washed my face again and again.
Food

Arepas with Romesco Sauce

6 ears fresh corn, cut off the cob
1/2 small yellow onion, chopped
1 red bell pepper, diced
3 tablespoons butter
3 eggs
1 cup milk
3/4 cup medium stone ground cornmeal
1 1/2 cups all purpose flour
sea salt and freshly ground black pepper to taste

Sift together dry ingredients. Puree corn and onion in a food
processor until combined, but still lumpy. Add milk and eggs and
mix. Saute red pepper in butter and add to corn mixture. Add corn
mixture to dry ingredients.

In a buttered skillet over medium heat cook batter into
silver-dollar-sized arepas. Transfer to a warm plate and hold until
ready to serve with Romesco sauce and optionally fried Marguez
sausages and a salad made from sliced green apples, parsley and
pickled onions dressed with red wine vinegar and extra virgin olive
oil.


Romesco Sauce

2 large, thick slices of county bread, crusts removed and cut into cubes
1/3 cup red wine vinegar
1 1/2 red peppers, roasted and peeled
1/3 cup blanched almonds, toasted to golden
sea salt and freshly ground black pepper
6 cloves garlic, peeled
1 tomato, cored, seeded and chopped
1/3 cup olive oil

Soak bread with red wine vinegar for 10 minutes and transfer to a
food processor. Add almonds, red pepper, garlic, tomato, salt and
pepper and puree until smooth. With the motor running, add the
olive oil in a thin stream, until mixture is the consistency of a
thick creamy sauce. Add the warm water as needed to thin, as
necessary. Serve at room temperature.
Cardboard Tubes

For toilet paper & small unopened buds attached to the ends of granny stems;

For paper towels & spiny mice or other rodents with their man-like little hands;

For the twin miracles of corrugation & cylindricality;

For countless arts & crafts in the manner of the ancient Phoenicians;

For this woman & that one who never replaced the roll & slept in even on Monday;

For a New Wave band of the 80s I can barely remember, for Billy Idol, for Billy Pilgrim;

For my mother on Father’s Day & my Father on his birthday April 30th, 1944;

For waterslides, Kim Deal, & Juicy Fruit;

For the subtle but convincing manner of the red-headed one, soaked with wine & menthol;

For the reminder: these tubes continually dropt on the ground, embroidered with the monogram of a different daily deity;

For the rejoinder that someone loves us all even in a dirty bathroom with a floor big enough for dancing;

For the dancing partner whom I, awkward, never managed to dip;

For Julia (in her silks), Kristin (in her silks), Kristin (in her combat boots & dirty pants), Josh (in his good will), Nick (in his carefully managed anger), & all the lot of you;

For the small man who never leaves his house & the aesthetic pleasure their perfect shapes bring him;

For the coffee that comes in cups of cardboard which are really flared tubes with a closed end;

For their sight-giving properties, best in evidence atop promontories from which we see & see & see then bury our faces in our sister’s best white dress;

For three thousand miles, a million hours & whatever else between us.

Saturday, May 01, 2004

I know I'm late on this,

but bigtime kudos to Josh Corey. Astoundingly good news.

Speaking of astoundingly good, I could use some grilled asparagus right now.
Some More Fake Criticism

Hey Mr. Tangerine Man: Zimmermanian Typology in Robinson’s “Fruit Sonnets”

       Critics have long noted that A. Robinson’s “Fruit Sonnets,” particularly the citrus subsequence, owe a debt to the mid-twentieth century poetry of Robert Zimmerman. While the thematic concerns of each poet seem quite distinct from one another, the careful reader of Robinson’s “Fruit Sonnets” can’t help but note an abundance of Zimmermanian features, particularly the use of parataxis and ellipsis—equalizing and economizing devices that enable an evasive poetic rhetoric that tends to enrich the poems with a multitude of possible meanings and in doing so defies definitive readings. Although it would be a misstep to attempt to explain away these ambiguities, the sonnets may be understood more fully by examining them not only formally, but through the interpretive lens of Zimmerman’s thematics.
       In this paper, I’d like to examine a key figure in Zimmerman’s poetry that is reworked in Robinson’s sequence. The rootless wanderer character appearing in so many of Zimmerman’s poems (such as “Hey Mr. Tambourine Man” and “Boots of Spanish Leather,” to name two) prefigures Robinson’s Grouchy Greengrocer, the presumed speaker of sonnets 265 through 297. Not only does each speaker possess a mumbling drawl, and several other distinctive “speech” patterns (omitting final g’s from certain verb and gerund forms, for instance), but some of his actual utterances appear to have been closely influenced by Zimmerman. Compare, for example, these lines from Robinson’s sonnet 269:

I drank that fruit’s forbidden juice now runnin’
Down my leg. Sweet paradise that nectar
was—so cold and oh so sweet. I’m gunnin’
now for my produce man—the dude they call Hector. (9-12)

with these lines from Zimmerman’s “Where Are You Tonight?”: “I bit into the root of forbidden fruit / with the juice running down my leg” (65-66), and “If you don't believe there's a price / for this sweet paradise, / remind me to show you the scars” (71-73).
       My study will attempt to place Robinson in the Zimmermanian tradition by drawing parallels between the most significant poems of Zimmerman and those of Robinson’s citrus subsequence, and arguing that Robinson’s Greengrocer is the fulfillment and completion of the nameless wanderer in Zimmerman’s poem. I’ll also refute critics who have read this citrus subsequence as a post-Pixies (and, by extension, Marxist) response to the chaotic conditions of the modern farmer’s market, and in doing so have incorrectly placed Robinson’s poetry in the Cobainian tradition, drawing attention away from his obvious Zimmermanian affiliation.
The Thom Fletcher Files, Part 1

Thom Fletcher is not a poet, but is married to one. He's more interesting than many (most?) poets I know, however. He is the half-elf of St. Louis.

Today's Fletcherism is his "Passive-Aggressive Drunk Manifesto": No matter how low your armor class is, I'll always have more hit points.

Kent told me

that when I put my photo up on the blog, hot poet girls would start flirting with me.

Where y'all at?